Fidelity to text: 2 jewel thieves A seven-page story got hugely reworked. Mood, tone, characters all got a make-over, including Poirot. He found a long-lost love and lost his moral compass. Quality of movie on its own: 2 jewel thieves They can’t all be gems. Wholesale changes often improve a nothing story into something suitable […]
This review of “Why Didn’t They Ask Evans?” (1980) ranks the movie in two categories. Fidelity to text: 5 cliff shoves Practically everything in the book is in the novel, other than explaining how a suspect is identified and turning a boring letter into a dramatic ending. Quality of movie on its own: 3 cliff […]
Fidelity to text: 3 rook rifles An entire rook flock of additions fluttered in, but most of them were suggested by the story itself. Quality of movie on its own: 4 1/2 rook rifles We really enjoyed this one, especially the added innkeeper. He flew in from an entirely different flock, the one that Ariadne […]
Fidelity to text: 3 stranglers The usual condensing of characters, revising the location, plus a sex-change and new occupations to ramp up the show biz aspects. But it’s all in service to the story. Quality of movie on its own: 4 stranglers although Bill wouldn’t agree This was a terrific bitch-fest; sharp, witty, caustic. Everyone […]
Fidelity to text: 2 1/2 poison bottles The story isn’t much: Poirot talks and John Harrison listens and a murder is prevented. Quality of movie on its own: 3 poison bottles Too many missed opportunities and there’s the distinct feeling throughout of the Precrime Department in Minority Report. Will they get it right? Do you […]
Fidelity to text: 4 1/2 poison bottles It’s very close, other than John Gielgud coming across as far more intelligent than Lord Caterham is supposed to be. Quality of movie on its own: 4 poison bottles Only if you’re in on the genre joke. If you don’t, you won’t enjoy the movie. Read more of […]
Fidelity to text: 3 knives It took lots of changes to turn this slight story into an episode-length Poirot. Most importantly, the victim Flossie Carrington is alive at the beginning of the story and that radically alters the tone of the ending. Quality of movie on its own: 5 knives Sad, moving, emotionally dark, and […]
Fidelity to text: 4 guns It’s very close despite choosing different parts of the novel to keep as opposed to the 1978 version. Quality of movie on its own: 3 1/2 guns Very good, fast-moving, keeps one important character analysis scene which should have been kept in the 1978 version, but there were errors. Read […]
Fidelity to text: 4 thieves An eight-page story needs embellishment. Each addition deepened and enlarged the scope while remaining true to the text. Quality of movie on its own: 5 thieves Beautiful fusing of vintage newsreel footage, a locked-room mystery, and some classic misdirection Agatha would have approved of. Read more of Teresa’s Agatha Christie […]
Teresa reviews “Death on the Nile” (1978) and found it a delightful, if murderous, way to enjoy the ancient monuments of Egypt. Fidelity to text: 4 guns. It’s very close, allowing a complex novel to be simplified into a coherent movie. All the important people remain, plus an added cobra, although how the murderer found […]